Saturday, August 16, 2003


Just this morning I updated and changed the look of this blog.

I FINALLY saw THE ANIMATRIX and it's cool, in most senses of the term. Most of it involves blood and gore, specially the first two short films. The Wachowksi brother have drawn together a splendid series of short films that dwell around the Matrix mythos. And the Japanese animation was a clever touch not only because the brothers pay homage to their influence, but because the Japanes animation themes have always had that Matrix-y atmosphere and feel - way before the Matrix.




The Second Renaissance

This tells the timeless tale that happened prior to the Matrix films. From the time when artificial intelligence became a rampant and widely acceptable aspect of human life, up to the machine's ravaging vengeance upon the very species that created them.

A disturbing scene kept haunting me: when the first AI robot murdered a man by grabbing him by the cheekbones and literally ripping apart his face.



The Second Renaissance II

This is the conclusion to the origin of the Matrix. Starting off where the first one left off, The Second Renaissance II shows the triumph of the machines and how humanity's sheer anger and the evil that dwells inside his soul became the instruments to his own demise.
It is here where we learn that the dark and brooding atmosphere the film is mostly enveloped in is, in fact, man's own fault. In hopes of finally destroying the machines by cuttinf off their energy source; they launched an airstrike that permanently covered the sky with gas and completely cut off the earth's sunlight. But the machines were smarter. They had been studying man's bocied and used them like a battery.

If the first one had a disturbing scene, this one has a whol egamut of it all throughout the film. Obviously, war scenes have never been quite appealing to the eyes and this short testifies to that by engulfing it with images of blood, gore and death. But I'm still calling it eye candy, not only because they are all too realistic but because, in the deepest sense, the short brings forth a sort of enlightenment about the greed, wrath and evil in the human soul that may come out in a Bruce Banner fashion.



Program

Classic anime is the basic thought behind this. Set in the ancient Japan, this story is a good one, as it even explains all the flying and jumping in the old Japanese films that defied both gravity and physics. I find that this one is almost a remake of Neo and Morpheus' fight scene from the first film. Only it features a female character with the biggest hair I had seen - more than Storm's and Tina Turner's - and a dark Japanese-styled warrior, reminiscent of the old Imperial soldiers, called Duo.

As it turns out, it's all a simulation.



Kid's Story

This is a little more amusing. This features a high school kid named Popper, who realizes that the Matrix exists and is eventually pulled out of it by Neo. The amusing part is that Popper is a minor character (emphasis on "minor") from Matrix: Reloaded, he's that kid who severly idolizes neo and even follows him around during the scenes in Zion.
This tells his story.
Th graphics are highly detailed, making me wonder how long it took for this to finish. The movements are all too realistic that I am asuming that the scenes were traced, frame by frame, from actual footages.

The kid dies, only to ressurect in the real world - outside the Matrix.



Beyond

A cute story. Set in present-day Japan (assumingly Tokyo), it revolves around a haunted house, which apparenly was a bug in the Matrix. Weird things happen there: things float, blink in and out of existence among others. For the first half we follow around a teenaged girl, with red and blue-colored hair and a star under her left eye, in search on her cat, Yuuki. She soon meets a group of kids and they tell her that her cat may be in the "old haunted house."
She soon descovers the wonders of the haunted house, but a truck suddenly arrives, carrying a whole platoon of programs disguised as some sort of disposal unit. They have come to cerrect that bug.



Matriculated

Matriculated heavily reminds me of that old MTV Animated series, Aeon Flux, from the long-limbed, extremely thin characters, down to the very detailed imagery. The tale is an experiment: what if the humans have succeeded in pulling a machine into their own folds? Would this make for a great alliance, or it it simpy impossible? A group of people who are located in the surface trap a machine and using a simulation they influence it to be a part of them. the machine falls in love with one of them. Unfortunately, other machines arrive (including two sentinels) cutting their experiment short. A massacre is imminent.
They are located on the surfec, this fact simply contradicts the concept of Zion being the last human sanctuary located underground. But then, perhaps I have the timelines all mixed up; maybe this story took place a couple of years after the machines' complete take-over.



Detective Story

The only short with an actual major character from the Matrix films. This one plays around the 50's detective movies, complete with the dark detective office to the trench coat-hat detective, but obviously is in a couple more in the future. The detective here is bestowed the assignment of searching for the hacker simply called Trinity. As it turns out, the detective is used as a bait by the Agents to trap Trinity, while Trinity herself is thinking of recruiting the detective.
As it turns out, Trinity finds the detective unfit for recruiting and he is left alone with a gun pointed at the Agents, lighting a cigarette and mumbling to himself, "A case to end all cases."




World Record

It is safe to say that World Record is the least appealing of the shorts. It is done in the style that became popular in the early 90s, with the creeping shadows and exaggerated muscles.
The story begins with a narrator saying that some exceptionally intuitive and sensetive people recognize the existence of the Matrix without enlightment. This clearly explaines the situation Neo and the other characters from the other short films have gone through: the same biting sense of not being alone and the chilling belief that reality is not what it really is.
An olympic-winning athlete is the character, running the race. As this is shown, it is revealed that the machines have sensed something with this chap as they carefully watch him.

World Record explains the story behind people who experience stroke as those who momentarily are disconnected to the Matrix.



Final Flight of the Osiris

This, by far, is the most complicatedly animated and better looking of the bunch. Done in the tradition of the Final Fantasy film, in a highly detailed CGI animation, this is the one you'd probably see in the advertisements. A raven-haired woman falling while doing a couple of impressive gymnastic positions, and then landing on her feet.
Final Flight of the Osiris, is the most relevant and faithful to the Matrix movies, as it is mentioned as the missing ship at the beginning of Reloaded. It tells what has indeed happened to it.

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